1593-1652 French Georges de La Tour Galleries His early work shows influences from Caravaggio, probably via his Dutch followers, and the genre scenes of cheats??as in The Fortune Teller ??and fighting beggars clearly derive from the Dutch Caravaggisti, and probably also his fellow-Lorrainer, Jacques Bellange. These are believed to date from relatively early in his career. La Tour is best known for the nocturnal light effects which he developed much further than his artistic predecessors had done, and transferred their use in the genre subjects in the paintings of the Dutch Caravaggisti to religious painting in his. Unlike Caravaggio his religious paintings lack dramatic effects. He painted these in a second phase of his style, perhaps beginning in the 1640s, using chiaroscuro, careful geometrical compositions, and very simplified painting of forms. His work moves during his career towards greater simplicity and stillness ?? taking from Caravaggio very different qualities than Jusepe de Ribera and his Tenebrist followers did. He often painted several variations on the same subjects, and his surviving output is relatively small. His son Etienne was his pupil, and distinguishing between their work in versions of La Tour's compositions is difficult. The version of the Education of the Virgin, in the Frick Collection in New York is an example, as the Museum itself admits. Another group of paintings (example left), of great skill but claimed to be different in style to those of de La Tour, have been attributed to an unknown "Hurdy-gurdy Master". All show older male figures (one group in Malibu includes a female), mostly solitary, either beggars or saints. After his death in 1652, La Tour's work was largely forgotten until rediscovered by Hermann Voss, a German scholar, in 1915. In 1935 an exhibition in Paris began the revival in interest among a wider public. In the twentieth century a number of his works were identified once more, and forgers tried to help meet the new demand; many aspects of his œuvre remain controversial among art historians.  Related Paintings of Georges de La Tour :. | the fortune teller | Dice players | The Newborn Christ | The apostle Thomas | Blind Hurdy-Gurdy Player |
Related Artists:
Erik Eriksson Grijs
omkring 1650-1720
Steven van Herwijck
(Utrecht c. 1530-London 1565/67), was a Netherlandish sculptor and gem engraver famous for his portrait medallions and medals. It has recently been suggested that he is the "famous paynter Steven" mentioned in an inventory of 1590, who has traditionally been identified as Steven van der Meulen. Van Herwijck worked in Italy in 1557 and returned to Utrecht in 1558, when he was made a Master of the artists' Guild of St. Luke. His earliest surviving medals, of George van Egmond, Bishop of Utrecht, and Engelken Tols, date from this year. In 1559 he relocated to Antwerp. Nine medals survive of his work there, including a portrait of Jacobus Fabius. Fleeing religious persecution, he went to Poland in 1561 where he made medallions of King Sigismund II and other members of the Polish royal family.
Jan Rosen
Poland (1854 -1936 ) - Painter